BRUCE FOWLER Shaper/Glasser/Surfer
In the late 1960's Bruce would peel the fiberglass off one of his longboard and reshape it into a smaller board and glass it. After a couple of years Bruce would glass for John Bradberry in the 1970's and continued shaping until his accident in the 1990's.

Bruce was in a automobile accident, that placed him in a coma and left him a quadriplegic. His doctor told him that it didn't look good for him. But he said "I'm a Surfer" and with that determination he worked his way back to health.

"Stoker V Models"

Stoker V Machine
We recently got hold of Bruce Fowler to see what he's been working on. This is our conversation that followed.
What's new? It's been quite awhile since we last talked.
Since then I've been working on a design my longtime friend "Stoker" (real name Randall Rostoker) to make for him.
Yes, there seems to be a buzz going on about them.
Thank you. These boards have become so popular for me. It's very rare that you find a design that everyone either likes them, or, more often than not, loves them!
That's quite a claim!
I know it is. I was as surprised as anybody. I guess there is still new stuff to learn after all these years! (Laughs)
How did this all come about?
The design was conceived nearly 15 years ago when Randall got together with local surfing great Jeff Kruthers. Neither were shapers, but Jeff had enough board savvy to rough out what Stoker wanted. It had to paddle well, like a longboard, but still turn easily like a shortboard. Of course, there were fun shapes and other stuff already out there, but Randall had specific ideas and got a better vision each time he had one made. The design evolved over time with different shapers doing his bidding along the way. There were hits and misses as to be expected.
Then one of Randall's friends told him that I had gone back to full time shaping after recouping from a serious car accident. He called me and asked if I would consider doing his design, which I was happy to hear from him and get the work. I had done a lot of shapes for him while we were growing up, including some of his favorite all time boards.
Have you applied some of your past design experience in regards to the venerable Stoker V Machine?

Absolutely, as any designer will tell you it is nearly impossible to leave well enough alone (laughs). Still the formula was very good to begin with. Stoker had done a really good job. I just wanted to see if I could make it superb. Pretty much what followed was taking the original design and succumbing to something George (Greenough) would do. George is always searching for how to tweak more horsepower out of those little machines he rides. Even with windsurfing, he'd be racing us on his spoons against what he called our flat "coffin" boards".
Since Greenough and McTavish had inspired Stoker's original concept, it just seemed natural to apply George's approach to it. Actually the "crown" tail of the Stoker V Machine is from a template I took of George's board when Ron Radon(Radon Boats) had it and asked me to make one like it. Although I handshape everything, so stuff varies some. Anyway, I borrowed from what we did on the sailboard that clocked the 2nd fastest time there. That was what I still consider a crowned achievement as it was the 2nd fastest wind powered hull in the world when we did it.
Anyway, I applied some of that approach to the Stoker V Machine. Only a few guys that had Stokers from other earlier shapers noticed it. One guy who collects them noticed. You have to realize, that for me, an eighth of an inch is a big number to me, one quarter of an inch is HUGE! The application of this stuff was very subtle resulting in a more efficient planing profile, which in turn allowed me to redistribute the foil resulting in more lift.
The overall net result is a board that paddles faster, even when shorter than what the rider is accustomed to. It also provides forward glide, increased trim speed in gutless surf, and a higher degree of maneuverability without falling off a plane. This makes it easier for a beginner to connect turns, improves an intermediate surfer's overall performance, and just becomes a killer toy for a high level surfer to explore new ways to ride waves.
For now, Bruce is busy filling the growing demand for the "Stoker V Machine", but you can pretty much be guaranteed that when it comes to surfboard design, he will be thinking outside of the box.
What kind of surfers were buying his boards?
When I first hooked up with him, the boards were very popular with guys over 45 years of age. They floated well, and turned easy, which appeals to older surfers competing for waves in any line up. Most of the boards being ordered were over 7 feet. The number one size was 7'6". I wanted to expand the offering, so I scaled the current plan shapes to fit a much broader range of customer. A 4'6" is vastly different from an 8'6" unless you know precisely how to translate the curves to net the same riding characteristics true to the original formula. Inevitably, I was dealing with an array of different blanks that have their own 'personalities' so to speak.
That sounds challenging.
A lot of shapers don't pay enough attention to the relationship that deck rockers have with the bottom rocker of a surfboard. Frequently they feel that deck rocker is merely a consequence of bottom rocker. I can understand why that is a common misconception, but if you ask the upper echelon of shaper designers, and I won't name names here because someone will get left out and get insulted (laughs), but the relationship between those lines create foil which in turn creates the draft a surfboard moves through the water with. Foil is all encompassing.
Editor’s Note: Bruce understands "draft" all too well, as he took a detour of sorts in the 1980's for a decade of aggressive designing of sailboards that would achieve the 2nd fastest record time among over 300 racers, including Fred Haywood, considered the czar of speed sailing riding a Jimmy Lewis race board. Even then, the competition was close with Bruce's rider falling second place only by hundredths of a second.

Hookipa
At the same time, his designs attracted top Maui talent, Brett Lickle. Brett became Bruce's star wave rider at Hookipa. Brett was arguably one of the best surf sailors out there, and is credited with being among the first, if not the first to perform a forward loop and barrel rolls. Brett also pioneered conquering "Jaws" trusting Bruce's leading edge designs and construction in sixty foot waves. Today, Brett is Laird Hamilton's tow in partner.
It seems like you learned a lot from windsurfing throughout the 80's?
Absolutely, it was the late Bob Krause that joined me at The Surfing Underground and got me going on the windsurfing thing. The sport was exploding and I was instantly attracted to the design possibilities windsurfing offered. To give credit where it is due, I co- designed the speed board with Bob that nearly beat Haywood at the "California Speedcheck" held at the Los Banos Reservoir just inland from Gilroy, California. It was the closest thing to what they call a "speed ditch" today. (Note: A speed ditch is a trenched narrow waterway that exists or is created offering flat smooth water and optimum 'angle of attack' for the sail and board to generate maximum speeds.)

San Luis Rey Reservoir
We had "America's Cup" consciousness back then. Merrick used to talk about "quantifying a design". This was the first opportunity that I ever had to really quantify a design. What can be more objective than running a set course being clocked by radar? I learned more about design and construction during the 80's decade then the rest of my years combined.
Windsurfing was developing at an incredible pace, and to stay ahead of the pack at the leading edge, I plowed back a lot of profit into R&D. I was also constantly researching things to see what i could cross over.
What do you mean by "cross over"?
Cross over pertains to the crossing over of concepts from one field to another. The sport of windsurfing involves several disciplines; course racing, freestyle, speed sailing, slalom and surf sailing. To stay at the forefront, I had to look to sports like snow and waterskiing, hang gliding, boat and car racing, aviation, even more obscure sources like horse racing. I left no stone unturned to stay ahead of the pack (laughs).
Coming full circle today, Bruce applied his design experience toward the present day surfboard.
See Bruce's story in the Shaper of the Month section.
A Look Back at Santa Barbara Surfing: 1950’s-1975
By Bruce Fowler

Bruce Fowler in his longjohn and jacket wetsuit late 60's

Bruce Fowler
When I first started surfing, I recall standing around a beach fire, shivering uncontrollably while listening to the greats of the time. I was eight years old and unfortunately was too little for the wetsuits of the day; I wouldn’t be afforded that luxury of warmth for two more years.
A big burly guy named “Buzz” was talking about surfboards… “Yeah, you guys can go with those foamies if you want to, I just don’t believe in them…. I’m sticking with my balsa”.
It was the winter of 1959, and a plume of black smoke furled high into the sky above Rincon Cove. Someone had built a fire then found a tire to launch onto the flames. I watched as the dark cloud was caught up by the northwesterly wind, then the smoke curled furiously over the seawall and headed south with the weekend traffic.
It was my first day ever at Rincon. My best friend’s mom had us load up our 9’4”s onto her Jimmy flatbed truck. It was my birthday, and she had offered to take us to The Rincon. I watched as she looped her clothesline from board to board around each tail and skeg, then she did a “Trucker’s Hitch” and secured them to her tie downs.
We climbed up and sat atop our boards leaning our backs against the cab of the truck. With our hands tightly gripping each rail below us, the truck hurtled along Hwy 101 as we sat there next to a blur of asphalt. The truck didn’t have ‘stake sides’, which are those little fences that can be dropped into the postholes on the flatbed. I would have felt a lot better if she’d had them!
Paddling out from the cove, I remember how green the water looked. It was a special color green like I’d never seen before. The surf was running about five to six feet, and there were a lot of surfers out. It was a beautiful, warm, sunny day. At one point I had kicked out of a wave near the bottom of the cove when a set came rolling through.
I was paddling frantically to get back out before the onslaught of incoming riders could get near me..… but as I was doing so, there was one guy that was barreling along a wave with such grace, and he was approaching way too fast. I cleared the water out of my eyes and looked at the guy’s two-tone red and orange trunks, and his dark hair and as he got closer I got a better look, it was ‘Da Cat’, Miki Dora! I dug harder, way to my shoulders from a prone paddling position but it was too little too late I remember hearing that this guy takes pleasure in running over people! My birthday had just turned into a nightmare.
I was getting ready to turn turtle to protect myself when Miki dropped down the wave face, and started going into this arch, water was flying off his outside rail as he climbed and at the last possible second he whipped into this mach 4 kick out over the top of the wave missing me by inches. There are some things the mind blocks out to protect you, but not this time. I remember the incident like it was yesterday!
Surfing in Santa Barbara has always been a treat for the many surfers and I who live here. The waves have a pristine quality to them, and if there is a complaint that any of us could lodge to Mother Nature, it would be for more consistent surf. The summers are the worst, when we are resigned to traveling north or south to get out of the wave shadow created by the Channel Islands. The islands shield us from Summer’s predominant south swells. This was less of a problem during the 1960’s, as small surf was plenty enough to ride on our thirty and forty pound logs.
Back in those days, cars could drive out to Leadbetter Point bucking and bouncing as the wheels dipped into dirt potholes and ruts that guys had created by spinning donuts around in the dirt lot on flat days. But when it rained, the place took on a whole new dimension; more like mud wrestling than driving. At Arroyo Burro Park, better known as Hendry’s or The Pit, you could drive up to telephone poles that were placed parallel to the shore to keep cars off the sand. At night, my brother Gary and a bunch of other guys would park with their headlights on and go out and surf the shore pound.
With the surf up, it wasn’t uncommon to see 20 or 30 guys out at Leadbetter Pt., and occasionally you’d crane your neck around to see a shapely girl paddle out. That would be Linda Merrill, who was Mike Doyle’s tandem partner and the first woman to ever grace the cover of a surfing publication. Linda was a good surfer in her own right, along with other women like Linda Benson, Joey Hamasaki, the Calhoun sisters, Mary Lou Drummy, and later on, Margo Godfrey (Oberg).

STANLEY'S early 60's
Bruce began surfing Sandspit in Santa Barbara in 1959. "During one summer the Talley boys (Frank, Steve and Jimmy) and I would surf all day then camp under the bridge right near the little creek mouth that fed out to the rights. Frank was the only one old enough to drive and we would load up the boards, sleeping bags and food into his black VW bug and head for Stanley's. We would stay as long as the food would last. Steve took a lot of super 8 movies, and eventually spliced a gazillion days together.
When the south swells were blocked, everyone would head for Stanley’s Diner. The parking lot held maybe thirty cars on a good day, and surfers would position their cars around the caged grasshopper that see-sawed back and forth while producing oil for Chevron. The barn red diner sat with its white trim right south of the parking lot as windswells would offer up lefts at that end of the parking lot.
On the north end, rights would peak off the sand and rocks that formed where water emptied from the underpass creating a small creekmouth. On any given day you could see Margo or Bob Cooper whip a left-go-right turn and scoot up to the nose. Those late afternoon windswells are sorely missed to this very day.
If the winds up the coast blew long and hard enough, it meant we could save the gas money and paddle out at Tarpits, Hendry’s, Hope Ranch, More Mesa, Sands, Haskell’s., or El Capitan: these were the main beach breaks spanning from Carpinteria to Goleta. All of them depended on the sand bottoms to be in the right place at the right time like all good beach breaks do. Luckily, and fairly often, there were good rideable waves in the knee to chest high category, and on the best days, it might even get a little bit bigger than that.
In early winter we would all wait anxiously for the first swell to come rolling into town. We usually had to wait well past the start of school to see any kind of real swell. By the time the storms in the Aleutians were generating groundswells that would reach us, it was usually November. I would go to bed praying to see ‘corduroy to the horizon’ the next day.
Campus Point was one of the more popular places to surf during winter, although everyone called it “College” in those days. College had four specific takeoff zones, some tighter than others. At the very top directly in front of the rocks was what we called “The Wedge”, this wasn’t frequently surfed by many before surfleashes. Right below that you were at the Point, and south of that and almost directly in front of the bathrooms was “Poles”, named after the 4 metal poles that stuck up out of the water. They are no longer there, but it’s still called poles.
From ‘Poles’ you can connect to ‘The Cove’, aptly named because it bends into a sand bottom cove all the way to Goleta Beach. For the cove to be waist high, it has to be twice that at the point; but the cove was truly a blast as you could get career nose rides on good days. During the swell of 1969, the cove had 8’ barrels all the way to Goleta Beach as everything else in the area was maxing out.
With a big north, northwest or west swell a lot of different places in Santa Barbara come on strong. Generally the more northerly swells happen earlier in the winter. After the New Year rings in, patterns tend to favor westerly swells. With the west swells you see places like Hammond’s Reef come on, as well as the upper Goleta spots like Deveraux Pt., Naple’s Reef and the stretch of beaches that prefer to remain unnamed, spanning all the way to Gaviota.
Some of those nameless beaches were my favorite haunts in the 60’s and for decades afterward. Haskell’s was one of those great spots with a colorful history. Pictures from the 1920’s show an endless succession of oil piers that were jutting out from Naples all the way to Deveraux Point. This was also the case for Summerland situated just south of Santa Barbara and just north of Serena Point. The modern day visitor would be oblivious to this checkered past, but as surfers, many of us knew to take caution when the winter waves stripped the protective summer sand away from such areas.
Summerland was once a ghost hunter’s dream seeking paranormal activity. In the late 1800’s Summerland was considered a haven for Haunted Houses, and those seeking a thrill frequented the tiny community. But surfers will remember it for two distinctive A framed houses. The red A frame was the Yater shop, and the white one just below it was Jeff White’s “Owl” Shop. Many people are familiar with Reynolds Yater and the brand of surfboards he has handcrafted for many years.
Jeff White has noteworthy history too. Jeff was a lifeguard and dory racer along with his partner Paul Hodgert, who for many years headed up the lifeguard and recreation program for the City of Santa Barbara. These two men dominated an entire decade of dory racing at the United States Surfing Championships held each year at Huntington Beach. I would watch in awe, as these guys rowed out through 6 to 10 foot surf by the pier to round the buoy and surf huge waves in, then sprint up the sand to win the event time and time again.
From that little white A Frame, Jeff and Brian Bradley would pour their own foam to make blanks for their “White Owl” surfboards, which they named after the shape of “White Owl Cigars”; the outline of each were quite similar. Jeff told me that in the evening they would throw Army blankets into the still warm blank molds to sleep in! Ironically enough, years later I would go to work for Jeff after he moved his “Surf’n Wear” operation to Carrillo Street; the main artery feeding traffic into downtown Santa Barbara.

Owl Surf Shop
This was in the wake of Jeff being stricken with Multiple Sclerosis and after making one of the most impressive comebacks in medical history, Jeff continued on with a productive and fruitful life. But the disease had taken away his stamina, and when I joined him at the ripe old age of 20, it wasn’t long before I was doing the lion’s share of running the business as well as shaping the Owl Surfboards.
Yater’s approach differed from Jeff in that Rennie focused entirely on manufacturing surfboards. When he had his retail showroom on lower State Street, Stu Fredricks ‘wife, Sue, ran the shop and took great care with getting the details right. With Yater, who primarily was a lobster fisherman, the focus was making the best custom surfboards. Pat Curren offered big wave guns through Yater’s shop, this was long before his son’s birth, at this point, Tommy was still a gleam in Pat’s eye.
Jeff, on the other hand, was a savvy businessman with a college degree and he developed his business to include sportswear, O’neill wetsuits, surf supplies and related gear. John Eichert was another early board pioneer in the area and he was one of the guys and also a boat builder. His label “Ike” was known for their distinctive vee notch cut out of the trailing edge of the big area fins that adorned so many boards of the era. John later moved to Alaska to continue pursuing his boat building and fishing aspirations.
By the end of the 60’s and beginning of the 70’s the surfing crowd were riding Yater’s, John Bradbury’s Creative Freedoms, George Greenough inspired Wilderness Designs primarily made by Michael Cundith and Bob Duncan, Chuck Vinson had the Thought Factory across from the courthouse, and the Bahne Boards that I was offering from a small shop in Goleta.
Bob Krause was making “Good Surfboards”, and Al Merrick was learning to shape from his Plastic Fantastic shop located on Arlington Avenue across from the Arlington Theatre. (Note: By 1972, Al had moved to Helena Ave to form Channel Islands, and I was at Surf ‘n Wear shaping Owl. Zog had started “Wave Delineation” on airport property to be followed by Dave Johnson with his “Progressive” label.
A bit earlier than that Zog had worked from a house farther north along Hollister Avenue not far from Vinson and Frank Oz (eventually of Muppet Fame) doing “Happy Trails” Surfboards. Marc Andreini took over for me doing the Owl’s as I opened more Surf ‘n Wear stores. Dennis Bennedum made a big splash with his Sundance wafers, and Matt Moore was shaping his Rincon Designs in Carpinteria. Apologies to anyone I may have forgotten.)
Many Yater customers got the same shapes from Rennie time and time again. Nothing wrong with that, but not a standout either.. Bradbury had devout team riders that ruled Rincon. But the two prolific camps representing new ideas in surfboard design were Wilderness, with their short flex finned stubby planning hulls, and my Bahne dealership that were promoting the first fully downrailed Hynson designs with revolutionary ‘natural’ rocker.
Although my first shaping experience had started on my very first hand me down back in 1959, I continued to perfect my craft through emulation and glassing for Bradbury and watching Hynson shape and design boards. Bradbury and Hynson were the two primary influences in my development as a shaper and designer.
Bahne’s boards were the premiere quality of their day, and along with the quality came the single most important design feature the modern day short board had to offer since McTavish’s vee bottoms; that being full length natural rocker! Up until that point, surfboards had dead flat rockerless tails that, although unknown to most surfers, severely limited high performance surfing.
Natural rocker was a huge introduction to a new way to surf and much credit should go to Hynson, Brewer, and Diffenderfer, who worked in conjunction with each other developing modern day rockers. In our first year we sold the most boards in SB other than Yater, and Bradbury’s Rincon dynasty ended as his team riders all jumped on Hynson’s designs. This had everyone looking at Hynson’s boards and doing their own interpretations.
Surfing in Santa Barbara is like living in an oasis. We are far enough away from Los Angeles to have our own distinctive identity. We have the Ranch to our north, Rincon to our south, and the Channel Islands to our west. This triangle has some of the best surf spots in the world. We gladly take the quality over the consistency.
The mistake is often made to think there are only a few famous names worth mentioning when speaking of this area. The truth is many of us drew from each other. The usual names pop up because they have become media favorites, this doesn’t mean they weren’t deserving or are devoid of making contributions nor worthy of receiving credit, it simply means that media creates an approximate history that distorts a truer history underlying Santa Barbara surfing.
The chief difference is one person attempts to research it and then write it, while another simply lives it. If you were to ask each person I mention here, their version would surely have a different take than mine. At best the magazines represent an approximate history, so let’s accept the fact the truth lies somewhere in between.
I hope this little story of mine has given you a feel for the years spanning the late fifties into the middle seventies. A time capsule, if you will have it. This precluded cell phones, the Internet, and Simon Anderson’s thruster. Surfing was different before the tri fin, and life was different before cell phones and the current electronic digital age that is upon us. The Internet, for better or worse, has made the world a smaller less mystical place in which we live.
Surfing today in Santa Barbara is alive and well as it has always been. Perhaps each decade is remembered a little fonder as we grow older, with less time to surf due to the needs of family, constraints of a job, or the promise of a career…or maybe you are enjoying quite the opposite……..I certainly hope this to be the case!
Regardless of where you live or what you ride. Like the bumper sticker says
” I’d Rather Be Surfing! Long May You Ride"